{"id":6700,"date":"2013-12-16T08:55:53","date_gmt":"2013-12-16T14:55:53","guid":{"rendered":"http:\/\/www.lib.uiowa.edu\/sc\/?page_id=6700"},"modified":"2022-10-12T16:15:04","modified_gmt":"2022-10-12T21:15:04","slug":"micro","status":"publish","type":"page","link":"https:\/\/www.lib.uiowa.edu\/sc\/ltfs\/micro\/","title":{"rendered":"A list of film-related micro-fiche, micro-film and audio-cassette holdings (excluding journals)"},"content":{"rendered":"<p><strong>A list of film-related micro-fiche, micro-film and audio-cassette holdings (excluding journals) to be found in Main Library Media Collection (First Floor) <\/strong><\/p>\n<p>Compiled by Emily Golembiewski (1997).\u00a0 Please report additions or corrections: <a href=\"mailto:lib-spec@uiowa.edu\">lib-spec@uiowa.edu .<\/a><\/p>\n<p>&#8220;The poetry and fiction of James Agee&#8221; (film 16095)<\/p>\n<p>Andrew, James Dudley. &#8220;Alain Resnais&#8221; thesis (M.F.A. Columbia University) (film 12382)<\/p>\n<p>Aristarco, Guido. &#8220;Storia delle teoriche del film, Nuova ed. completamente riv, e ample.&#8221; 1960. (film 14983)<\/p>\n<p>Asheim, Lester Eugene. &#8220;From Book to film, a comparative analysis of the content of novels and the motion pictures based upon them.&#8221; (film 8352)<\/p>\n<p>Bache, Claude V. &#8220;Selected problems of visual perception with application to the motion picture.&#8221; (film 6970)<\/p>\n<p>Barnes, Walter (1880-). &#8220;The photoplay as literary art.&#8221; (moving picture plays library of Congress) (film 25991)<\/p>\n<p>Baum, Lyman Frank. &#8220;The Wizard of Oz; play by L. Frank Baum, Music by&#8230; &#8221; prompt book mimeograph copy, used by MGM in film production (film 19243)<\/p>\n<p>Bayley, Roger Child. &#8220;Modern Magic Lanterns: a guide to the management of the optical lantern for the use of entertainers, lecturers, photographers, teachers, and others.&#8221; (film 25991)<\/p>\n<p>Bloom, Samuel William. &#8220;A social psychological study of motion picture audience behavior; a case study of the Negro image in mass communication.&#8221; (film 11989)<\/p>\n<p>Bragaglia, Anton Giulio. &#8220;Fotodinamismo futurists&#8221; (film 25991)<\/p>\n<p>Breitrose, Henry S. &#8220;The Nation criticism of James Agee: attitudes and biases of a critic of films&#8221; (film 19343)<\/p>\n<p>Burke, William Lee. &#8220;The presentation of the American Negro in Hollywood films 1946-1961; analysis of a selected sample of feature films.&#8221; (1965) (film 12279)<\/p>\n<p>Casper, Joseph Andrew. &#8220;A critical study of the film musicals of Vincente Minnelli&#8221; (film 18943)<\/p>\n<p>Chesler, Judd. &#8220;Toward a surrealist film aesthetic with an investigation into the elements of surrealism in the Marx Brothers and Jean Vigo&#8221; (film 24007)<\/p>\n<p>&#8220;Cinema Pressbooks from the Original Studio Collection (1919-1949).&#8221; United Artists-Warner Brothers-Monogram Pictures, 37 reels. (film 28254)<\/p>\n<p>Faulkner, William. &#8220;Mildred Pierce, screenplay&#8221; (film 157)<\/p>\n<p>Fernandez, Henry Cecilio. &#8220;The influence of Gald6s on the films of Luis Bufiuel&#8221; (film 23031)<\/p>\n<p>Fielding, Raymond Edwin. &#8220;A history of the American motion picture newsreel&#8221; (film 6937)<\/p>\n<p>Fielding, Raymond Edwin. &#8220;The March of Time: 1935-1942&#8221; (film 12447)<\/p>\n<p>Friedrich, Velber E. &#8220;Herausgegeben von der Zeitschrift Film im Erhard Friedrich Verlag, Velber&#8221; (wPN1993.3F415 film)<\/p>\n<p>Francheville, Robert. &#8220;Tire au flanc; roman d&#8217;apres la piece de Sylvane et Mouezy-Eon, abondamment illustre par les photographies du film&#8221; (film 19560)<\/p>\n<p>Gallup, George Horace. &#8220;Gallup looks at the movies: audience research reports, 1940-1950&#8221; (American list of public opinion and scholarly resources) (film 23557)<\/p>\n<p>Gollub, Judith Podselver. &#8220;Nouveau roman et nouveau cinema.&#8221; (film 12278)<\/p>\n<p>Gorbman, Claudia Louise. &#8220;Film music: narrative function in French films&#8221; (film 23286)<\/p>\n<p>Gregory, John Robert. &#8220;Some psychological aspects of motion picture montage&#8221; (film 9285)<\/p>\n<p>&#8220;D.W. Griffith Papers&#8221;. (1897-1954) 36 reels and guide. (film 27157)<\/p>\n<p>Haley, Jay Douglas. &#8220;A content analysis of a film: David and Bathsheba&#8221; (film 20903)<\/p>\n<p>Harrison&#8217;s reports (moving pictures-reviews 1919-1962) (film 19875)<\/p>\n<p>&#8220;William Hays Papers&#8221; (film 28034)<\/p>\n<p>Hazel, Erik Richard. &#8220;The Hollywood image; an examination of the literary perspective&#8221; (film 23346)<\/p>\n<p>Holdridge, David Ross. &#8220;High versus low camera angle in film production as a factor influencing viewers&#8217; predictions of performance&#8221; (film 20110)<\/p>\n<p>Huaco, George Arthur. &#8220;The sociology of film styles&#8221; (film 9550)<\/p>\n<p>Ince, Thomas H. &#8220;History and development of the motion picture industry&#8221; (film 10089)<\/p>\n<p>Jacques Prevert par Guy Jacob, Andre Heinrich et Bernard Chardere. Textes pour le cinema par Jacques Prevert &#8230;(film 19020)<\/p>\n<p>Kazan, Elia. &#8220;Film Director turned writer&#8221; sound recording, encyclopedia americana\/cbs news audio resource library (tape 421 July 1970 no.1)<\/p>\n<p>Kretzschmar, Rita H. &#8220;An analysis of American films and their foreign distribution 1953-57&#8221; (film 6932)<\/p>\n<p>Lawder, Standish Dyer. &#8220;Structuralism and movement in experimental film and modern art, 1896-1925&#8221; (film 11995)<\/p>\n<p>Leaming, Barbara D. &#8220;Engineers of human souls: the transition to socialist realism in the soviet cinema of the 1930s&#8221; (film 21460)<\/p>\n<p>Lehman, Peter. &#8220;The search for a balance between east and West: an analysis of John Ford&#8217;s Fort Apache and She Wore a Yellow Ribbon&#8221; (film 16934)<\/p>\n<p>Leonard, Arthur Byron. &#8220;Poetry and film: aspects of the avant-garde in France (1918-1932)&#8221; (film 23705)<\/p>\n<p>Lounsbury, Myron Osborn. &#8220;The origins of American film criticism, 1909-1939&#8221; (film 11980)<\/p>\n<p>Lyons, Timothy James. &#8220;The comic technique of pathos-humor: Charlie Chaplin and The Gold Rush&#8221; (film 13382)<\/p>\n<p>MacCann, Richard Dyer. &#8220;Documentary film and democratic government; an administrative history from Pare Lorentz to John Huston&#8221; (film 6620)<\/p>\n<p>Mackenzie, Kent Robert. &#8220;A description and examination of the production of The Exiles: a film of the actual lives of a group of young American Indians&#8221; (1964) (film 13775)<\/p>\n<p>McMillen, Barbara Fialkowski. &#8220;A study of the formal and thematic uses of film in the poetry of Parker Tyler, Frank O&#8217;Hara, and Adrienne Rich&#8221; (film 22149)<\/p>\n<p>McRenolds, William Irvin. &#8220;Walt Disney in the American Grain&#8221; (film 18080)<\/p>\n<p>Maland, Charles J. &#8220;American visions: the films of Chaplin, Ford, Capra and Welles 1936-1941&#8221; (film 19330)<\/p>\n<p>Malek, Richard A. &#8220;All about Hitchcock: an investigation of the investigation of the film technique of Alfred Hitchcock&#8221; (film 6931)<\/p>\n<p>Menville, Douglas Alver. &#8220;A historical and critical survey of the science-fiction film&#8221; (film 6942)<\/p>\n<p>Merritt, Russell LaMonte. &#8220;The impact of D.W. Griffith&#8217;s motion pictures from 1908-1914 on contemporary American culture&#8221; (film 16203)<\/p>\n<p>Miller, William Charles. &#8220;An experimental study of the relationship of film movement and emotional involvement response and its effect on learning and attitude formation.&#8221; (film 13455)<\/p>\n<p>Morgan, Charles Howard. &#8220;Wish-fulfillment in drama and motion pictures&#8221; (film 11998)<\/p>\n<p>&#8220;The moving picture offered List and cinema trade buyer and seller&#8221; (film 28929)<\/p>\n<p>Newman, Henry Bertram. &#8220;The Western Film&#8221; (film 12072)<\/p>\n<p>Parker, David Willson. &#8220;A descriptive analysis of the Lone Ranger as a form of popular art&#8221; (film 12009)<\/p>\n<p>Pierson, Constance. &#8220;Criticism of the motion picture in American literary periodicals&#8221; (film 11990)<\/p>\n<p>Pike, Robert Marvin. &#8220;A critical study of the West Coast experimental film movement&#8221; (1960) (film 8075)<\/p>\n<p>Podeschi, John B. &#8220;The Writer in Hollywood&#8221; (film 23348)<\/p>\n<p>Polister, Richard Cameron. &#8220;The role of the motion picture production unit in the university&#8221; (film 4134)<\/p>\n<p>&#8220;Popular Culture Association&#8221; proceedings of the national convention of the popular culture association (many articles on movies, as well as bumper stickers, automobiles, folklore, pornography, romance languages, etc.) (film 21494)<\/p>\n<p>Ramseyer, Lloyd Louis. &#8220;A study of the influence of documentary films on social attitudes&#8221; (film 12332)<\/p>\n<p>Rea, Donald. &#8220;A critical-historical account of the planning, production and release of Citizen Kane&#8221; (film 17317)<\/p>\n<p>Reiter, Joan Govan. &#8220;F. Scott Fitzgerald: Hollywood as literary material&#8221; (film 23352)<\/p>\n<p>Riefenstahl, Leni. &#8220;Hinter den kulissen des Reichsparteitag-Films. Der Film Triumph des Willens Wurde im Auftrag des Furhrers geschaffen.&#8221; (c. 1935) (film 17386)<\/p>\n<p>Rimberg, John David. &#8220;The Motion Picture in the Soviet Union, 1918-1952; a sociological analysis&#8221; (film 12008)<\/p>\n<p>Roach, Samuel Frederick. &#8220;Lariat in the sun: the story of Will Rogers&#8221; (film 17666)<\/p>\n<p>Rose, Brian Geoffrey. &#8220;An examination of narrative structure in four films of Frank Capra&#8221; (film 21014)<\/p>\n<p>Rosenthal, Alan. &#8220;The film criticism of C.A. Lejeune&#8221; (film 11327)<\/p>\n<p>Rowe, Carel. &#8220;The Baudelairean cinema: analysis and definition of a trend within the American avant-garde cinema&#8221; (film 24066)<\/p>\n<p>Sanderson, Richard Arlo. &#8220;A historical study of the development of American motion picture content and techniques prior to 1904&#8221; (film 6969)<\/p>\n<p>Saunders, Joseph Bacon. &#8220;Off-screen images: an origin of visual style in cinema&#8221; (film 17733)<\/p>\n<p>Schlosser, Anatol I. &#8220;Paul Robeson: his career in the theatre, in motion pictures and on the concert stage&#8221; (film 15745)<\/p>\n<p>Schultheissu, John Edward. &#8220;A study of the &#8216;Eastern&#8217; writer in Hollywood in the 1930s&#8221; (film 23350)<\/p>\n<p>Schwartz, Jack. &#8220;The portrayal of education in American motion pictures, 1931-1963&#8221; (film 12019)<\/p>\n<p>See, Carolyn Penelope. &#8220;The Hollywood novel: an historical and critical study&#8221; (film 18257)<\/p>\n<p>Sidney, George R. &#8220;Faulkner in Hollywood: a study of his career as a scenarist&#8221; (1959) (film 15481)<\/p>\n<p>Smallman, Kirk. &#8220;Revolutionary cinema: Soviet art-propaganda 1919-1938&#8221; (film 6948)<\/p>\n<p>Staples, Donald Edward. &#8220;The copyrighting of motion pictures: history and present procedures&#8221; (film 6933)<\/p>\n<p>Staples, Donald Edward. &#8220;A statistical study of award-winning American films and their makers, 1930-1964&#8221; (film 12280)<\/p>\n<p>Tyo, John Henry. &#8220;A comparative analysis of motion picture production courses offered in selected colleges and universities in the United States&#8221; (film 8117)<\/p>\n<p>Van Wert, William F. &#8220;Film and literature: adaptations&#8221; (film 16594)<\/p>\n<p>Van Wert, William F. &#8220;The theory and practice of cine-roman&#8221; (film 20372)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A list of film-related micro-fiche, micro-film and audio-cassette holdings (excluding journals) to be found in Main Library Media Collection (First Floor) Compiled by Emily Golembiewski (1997).\u00a0 Please report additions or [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6694,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"pagetpl-special-shiny.php","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/pages\/6700"}],"collection":[{"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/comments?post=6700"}],"version-history":[{"count":2,"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/pages\/6700\/revisions"}],"predecessor-version":[{"id":6707,"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/pages\/6700\/revisions\/6707"}],"up":[{"embeddable":true,"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/pages\/6694"}],"wp:attachment":[{"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/media?parent=6700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/categories?post=6700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lib.uiowa.edu\/sc\/wp-json\/wp\/v2\/tags?post=6700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}