Centro de Arte y Comunicación (CAYC)
(CENTER FOR
ART AND COMMUNICATION)
BUENOS AIRES
PAPERS
Collection Dates: 1970 -- 1980
1.75 linear ft.
This document describes a collection of materials held by the
Special
Collections Department
University of Iowa Libraries
Iowa City, Iowa 52242-1420
Phone: 319-335-5921
Fax: 319-335-5900
e-mail: lib-spec@uiowa.edu
Posted to Internet: February 2004
Acquisition Note: CAYC related materials were donated to the University of Iowa by Ken Friedman
Access and Restrictions:
Photographs: Boxes 2, 3, and 4
Digital Surrogates:
Except where indicated, this document describes but does not reproduce the
actual text, images and objects which make up this collection. Materials
are available only in the Special Collections Department.
Copyright: Please read The University of Iowa Libraries' statement on "Property Rights, Copyright Law, and Permissions to Use
Unpublished Materials"
Use of Collections: The University of Iowa Libraries supports access to the materials, published and unpublished, in its collections. Nonetheless, access to some items may be restricted by their fragile condition or by contractual agreement with donors, and it may not be possible at all times to provide appropriate machinery for reading, viewing or accessing non-paper-based materials. Please read our Use of Manuscripts Statement.
Abbreviations: For
an explanation of the abbreviation and dating conventions used in the finding
aid, please see Abbreviations.
Committed to the production and dissemination of "systems art," the Buenos Aires-based Centro de Arte y Comunicación was initially established as a multidisciplinary workshop in August of 1968. The University of Iowa 's CAYC Collection of one hundred and fifty large scale works was originally assembled in 1972 by Jorge Glusberg, Director of the Center for Art and Communication in Buenos Aires. According to Glusberg, the exhibition was designed to address the contributors' shared conviction that "the conflicts caused by unfair social relations that prevail in most latin american [sic] countries show up in the artistic arena as well as in other aspects of the culture." Although originally published by CAYC in an edition of ten and circulated as a traveling exhibition, the ATCA version is the only extant copy of the international activist collaboration.
Conceptual artists whose works are represented in the collection include Marcel Alocco, Angelo de Aquino, Siah Armajani, Juan Navarro Baldeweg, Alvaro Barrios, Juan Bercetche, Jacques Bedel, Luis Benedit, Juan Bercetche, Shelia Berkley, Antonio Berni, Cesar Bolanos, Lowry Burgess, Elda Cerrato, Jaime Davidovich, Guillemo Deisler, Agnes Denes, Juan Downey, Gregorio Dujovny, Ken Friedman, Jochen Gerz, Carlos Ginzberg, Haroldo Gonzalez, Victor Grippe, Guerrilla Art Action Group, Rafael Hastings, Dick Higgins, Fernando Huici, Peter Kennedy, Richard Kostelanetz, Uzi Kotler, Bernardo Krasniansky, Auro Lecci, Antonio Jose Caro Lopera, Lea Lublin, Francisco Mariotti, Oscar Matera, Julian Mereutza, Carlos Mills, Jorge Gonzalez Mir, Victor Mira, Abraham Moles, Ion Muresanu, Mauricio Nanucci, Moises Nusimovich, Mariano Hernandez Ossorno, Mari Orensanz, Mila Parr, Luis Pazos, Alberto Pellegrino, Alfred Portillos, Alejandro Puente, Gumersindo Quevedo, Juan Carlos Romera, Ricardo Roux, Javier Ruiz, Bernardo Salcedo, Maximo Soto, Julio Teich, Clorindo Testa, Enrique Torroja, Horst Tress, Nicolas Garcia Uriburu, Jiri Valoch, Constantin Xenakis, and Horacio Zabala.
The original exhibition, about 1972, was a component of The University of Iowa's Global Focus: Human Rights celebration. A digital version of the exhibit is now available online. This virtual exhibition was funded, in part, by two concurrent grants from the National Endowment for the Arts.
Prepared by D. Crites, J. Roethler, September 2004.
Scope and Contents
CAYC related materials consist of one copy of each of the posters included in the 1972 circulating exhibition (which are located in map cases in the Special Collections) and the linear foot of catalogues, documentation, books and pamphlets, dating from 1970 to1980, inventoried here. This is an Alternative Traditions in Contemporary Art collection.
Box List
Box 1
Catalogues/Documentation
Arte y Cibernetica. San Francisco, London, Buenos Aires. April 1971
Art Systems in Latin America. Institute of Contemporary Arts, London, 1974
Bill Vazan. CAYC. Buenos Aires, Argentina (?). 1975
CAYC: Recontre Internationale Ouverte de Video. February 1975, Espace Pierre Cardin, Paris
CAYC: Imágenes. September -- November, 1971, VII Bienal de París
Fotovision: Del Sinathropus Pekinensis Al Hombre Nuevo de China. CAYC, Buenos Aires, Argentina, n.d.
CAYC: De la Figuracion al Arte de Sistemas. El Museo Provincial de Bellas Artes Emilio A. Caraffa, Plaza Espana, Cordoba. August 1970
From Figuration to Sistems Art in Argentina. Center of Art and Communication in Camden Arts Centre, London. February 1971
Japan Video Art Festival. CAYC, Buenos Aires, Argentina, April 1978
Hungria 74. CAYC, Buenos Aires, Argentina, November/December 1974
Nine Days with Dennis Oppenheim. CAYC, Buenos Aires, Argentina, August 1971
Poetry Investigations. CAYC, Buenos Aires, Argentina, July 1972
Parables by Ken Friedman. CAYC, Buenos Aires, Argentina, September 1974
CAYC in Iceland. SUM Gallery, Reykjavik. May 1974
CAYC:20 Artistas Argentinos. Galeria Continental, Lima, Lima, May, 1977.
Latin American Realities/ International Solutions : a Virtual Exhibition. Affiliated with the University of Iowa.
Books
Art and Computers in Latin America. Buenos Aires: Ediciones CAYC, 1973. [In conjunction with the International Conference on Computers in the Humanities, University of Minnesota, Minneapolis, July 1973]
Glusberg, Jorge. Dermisache. Buenos Aires: CAYC. December 1973
---- Cool Museums and Hot Museums. Buenos Aires: Ediciones CAYC, 1980
Pamphlets
What is the Center of Art and Communication
in Buenos Aires? n.d . [Booklet about CAYC, covers up to
approximately 1977] 2 packets of announcements of shows and projects
3 rd Floor Map Cases:
Works from show: Hacia un Perfil del Arte Latinamerico
marcel alocco the deterioration of america
siah armajani quicksilver 2
juan navarro baldeweg cityscape of boston
alvaro barrios colombia
jacques bedel hyphotesis of an earthquake in the city of paris
estudio para la restauración de un papel de dibujo
hypothesis for de bombing of st. peters cathedral
hypothesis for the development of a stain of dampness
hypothesis for the disappearance of the peak ojos de salado (6100m) province of catamarca argentina
hyphothotesis for the destruction of villa aldobrandini
[hipótesis para la destrucción de la casa de don federico gonzalez debido a una explosión]
[hypothesis for the destruction of the house of mr. federico gonzalez due to an explosion]
luis benedit habitat for cockroaches
juan bercetche cause and effect
sheila berkley come and play - street environment
antonio berni [untitled]
cesar bolaños perspective
lowry burgess journey to the stars
elda cerrato arrival to america
jaime davidovich adhesive tape project: 1.) north america 2.) hedge around the latin american continent
angelo de aquino self portrait no 2
guillermo deisler idea and thought as works of art
interruption pedestrian crossing
agnes denes trial before the holy tribunal: paolo veronese
juan downey make chile rich
gregorio dujovny [stop]
ken friedman homage to j.l. borges
jochen gerz 3 contributions
carlos ginzburg cubic earth
jorge glusberg presentation of this show
haroldo gonzález flag
victor grippo diagram for analogy 2
diagram of the work presented at the art system show museum of modern art - buenos aires
guerrilla art action group aesthetic and revolution
rafael hastings various profiles of latin american art 1
various profiles of latin american art 2
various profiles of the latin american art 3
dick higgins ode to london
fernando huici only survival possibility
peter kennedy - mike parr inhibodress trans-art [Spanish]
michael kenny [untitled]
richard kostelanetz no
uzi kotler height lines, paraiso bay, argentine antartic
study of visual incentives on highways
bernardo krasniansky to have at home
auro lecci fundamental coordinates for a third world 1
fundamental coordinates for a third world 2
fundamental coordinates for a third world 3
antonio josécaro lopera project for book 1
lea lublin project for art systems
francisco mariotti the tower of truth
oscar maxera [untitled]
julián mereutza an eleate paradox
carlos mills friendship breakeage
jorge gonzalez mir process of relation
victor mira connection of ideas
abraham moles le musèe comme labyrinth
ion muresanu brick sculpture, university dining room - montevideo
project for the construction of an iron concrete sculpture in the coltejer center - medellin
mauricio nanucci [untitled]
moises nusimovich fragment of space of a landscape of the argentine mesopotamia
mari orensanz all roads lead to.
mariano hernandez ossorno the abandoned parks
luis pazos dialectic of the national reality
[project of monument to the dissapeared political prisoner]
alberto pellegrino text for a chain letter
alfredo portillos sketch for a street poster
work presented at art sistems buenos aires
alfredo portillos foundation cornerstone
(and all the men)
alejandro puente system and object
gumersindo quevedo [chemérica]
juan carlos romero destruction and exaltation of the human body 1
destruction and exaltation of the human body 2
destruction and exaltation of the human body 3
ricardo roux [untitled]
javier ruiz two ideas
bernardo salcedo inn 1
maximo soto project for a monument
project for a monument to popular demands
project for a monument to popular violence
julio teich flourishing of nothing
clorindo testa measurement of a scream 1
enrique torroja structural initial development
horst tress lift
nicolás garcia uriburu only one latin america
jirí valoch do it yourself (associations)
constantin xenakis drawing matrix hydraulic and pneumatic
drawing matrix, organigram symbols
horacio zabala [the deformations are proportional to the tensions]
project for a prision architecture
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