Papers of Norman Felton - Special Collections - The University of Iowa Libraries

MsC 265

Manuscript Register

PAPERS OF NORMAN FELTON

Collection Dates: 1940 -- 1993
(Bulk Dates:1960s)
63 linear ft.

This document describes a collection of materials held by the
Special Collections Department
University of Iowa Libraries
Iowa City, Iowa 52242-1420
Phone: 319-335-5921
Fax: 319-335-5900
e-mail: lib-spec@uiowa.edu

Posted to Internet: February 1998
Addendum: May 2005 July 2007, June 2008

Acquisition Note: Mr. Felton donated his papers to the University of Iowa Libraries over a period of years, beginning in 1974. Jon Burlingame donated the CD soundtracks in 2005.

Access and Restrictions: This collection is open for research. Scripts, stories, and treatments are under copyright restrictions and cannot be published in entirety or in part without permission of the authors and/or the owners.

Photographs: Boxes 9, 14, 18, 22, 23, 25,26a, 26b, 26c, 27, 29, 30, 33, 34, 36, 41, 42, 43, 44, 45, 46, 50, 63, 72, 73, 78, 79, 82, 83, 86, 87, 88, 89, 99, 134

Ephemera: Posters Box 26a, broadside drawer

Audio Material: Phonograph record broadside drawer; Soundtrack CDs, Box 136

Digital Surrogates: Except where indicated, this document describes but does not reproduce the actual text, images and objects which make up this collection. Materials are available only in the Special Collections Department.

Copyright: Please read The University of Iowa Libraries' statement on "Property Rights, Copyright Law, and Permissions to Use Unpublished Materials"

Use of Collections: The University of Iowa Libraries supports access to the materials, published and unpublished, in its collections. Nonetheless, access to some items may be restricted by their fragile condition or by contractual agreement with donors, and it may not be possible at all times to provide appropriate machinery for reading, viewing or accessing non-paper-based materials. Please read our Use of Manuscripts Statement.

Table of Contents

Biographical Note

Scope and Contents

I. Series One -- Correspondence

Boxes 1 -- 8

II. Series Two -- General Information

Boxes 9 -- 13

III. Series Three -- Arena and Felton Productions

Boxes 14 -- 93

IV. Series Four -- Scripts

Boxes 94 -- 131

V. Series Five -- General Files

Box 132 -- 134

VI. Series Six -- Felton’s Autobiography

Box 135

VII. Series Seven -- Oversized Material

Biographical Note

Norman Felton was born in London, England in 1913. At the age of fourteen, he left school to work as a printer's helper. When he was sixteen, he and his family immigrated to the United States. His parents later returned to England, but Norman Felton stayed in the United States and became a citizen in 1939. He had many jobs, and it was while he was a truck driver in Cleveland, Ohio that Felton was introduced to the theatre. He quickly developed an interest in the theatre and began writing plays. In 1935, Felton won a playwriting fellowship to the University of Iowa (later, in 1965, he established his own playwriting fellowship there). Felton earned a Bachelor of Fine Arts degree and a Master of Arts from the UI, as well as meeting his future wife, Aline Stotts, whom he married in 1940.

After graduation, Felton worked in community theatres in St. Paul, Minnesota and Saginaw, Michigan. While in Saginaw, he developed a new way of staging plays which he called Arena Theatre. An article [copy located in Box 88] he wrote about this new staging method interested an executive of NBC radio in Chicago and earned Felton the job of radio producer - director at NBC radio.

In 1948 Felton briefly visited New York to learn about television, returning to Chicago as a television executive producer. Felton's career took off in 1950 when he returned to New York to direct and write teleplays for Alcoa Hour, Goodyear Playhouse, Hallmark Hall of Fame, Robert Montgomery Presents, Studio One, and U.S. Steel Hour.

In 1958, Felton became the executive producer and program executive of Playhouse 90. In 1960 he became the director of television programs for MGM and formed his own company, Arena Productions, the following year. Felton developed and produced: Dr. Kildare, The Eleventh Hour, The Girl from U.N.C.L.E., Jericho, The Lieutenant, The Man from U.N.C.L.E., Strange Report, and The Psychiatrist. Felton is often credited with discovering Richard Chamberlain, but modestly claims he only picked Chamberlain out of a group of actors auditioning for the role.

Felton has earned many honors as producer or director. Among them are:

Emmy for Robert Montgomery Presents (1952)

Emmy nominations for:

Studio One, (1957)

Dr. Kildare,(1957)

The Eleventh Hour,(1963)

The Man from U.N.C.L.E., (1964&1965)

American Cinema Editors, 1965

Two Sylvania Awards for distinguished achievement in television, (1952&1956)
Two Christopher Awards, (1954&1956
TV Guide Gold Medal (1952)
TV Guide Silver Bowl Awards, (1963&1964) for best Series
TV Guide Silver Bowl Award, (1964) for Best Individual Drama, Tyger Tyger
TV Guide Silver Bowl Nominations, (1962,1963,&1964)
Look Magazine Award, (1952) for Robert Montgomery Presents
Golden Globe Award, (1965)
Western Foundation of Myasthenia Gravis, (1961&1962)
California Federation of Women's Clubs, (1963)

Felton and his wife had three children: Julie Anne, born in 1948, John Chirstopher, born in 1953 and Aline Elizabeth, born in 1957. Aline, her husband David Berkley, and their nine-month-old daughter Jessicca were murdered December 18, 1982 in Detroit near Wayne State Medical Center where David was a medical student.

Felton is a member and past president of the Screen Producers Guild, a member of Caucus Producers, and is a co-chairman of the Writers and Directors of America.

Scope and Contents

The papers of Norman Felton measure some sixty-three linear feet of manuscript materials. The collection is arranged into seven series: Correspondence; General Information; Arena and Felton Productions; Scripts; General Files; Felton’s Autobiography, and Oversized Materials. These series are only rough divisions, with a great deal of overlap between them. The Correspondence Series is comprised of both Felton’s business and personal correspondence, while more letters may be found in the General Information, the Arena and Felton Productions, and the General Files series. The General Information section includes everything from Christmas lists and photographs to story ideas and screen credits. Boxes 14 - 93 contain the Arena and Felton Productions series. Detailed information, such as budgets, casting, screenplays, audience reactions, photographs, fan club publications, etc., all relating to Felton’s various television series, including Dr. Kildare, The Man from U.N.C.L.E., The Lieutenant, Eleventh Hour, etc. are housed here. There is also material from his made-for-television movies, as well as unproduced scripts and story ideas. The next sub-series contains the shooting scripts from: Dr. Kildare, Eleventh Hour, The Psychiatrist, Hawkins, Strange Report, Jericho, The Man from U.N.C.L.E., The Girl from U.N.C.L.E., and The Lieutenant. Series five, General Files, consists of a wide range of manuscripts, everything from scripts from Robert Montgomery Presents to Felton’s daughter’s law school essay. Norman Felton’s Autobiography, Best of Luck or Life on a Hard Disk, is the subject of the sixth sub-series. The collection ends with a number of oversized items, including phonograph records and theater posters.

SERIES I. CORRESPONDENCE

Box 1

1940 -- 1950.

1950 -- 1957.

January, 1958, including a letter from Pearl Buck.

February -- March, 1958.

April, 1958.

May, 1958.

June -- July, 1958.

Box 2

August -- September, 1958.

October, 1958.

November -- December, 1958.

January -- February, 1959.

March -- April, 1959.

May, 1959.

June, 1959.

Box 3

July, 1959.

August, 1959.

September, 1959.

October, 1959.

November, 1959.

December, 1959.

January, 1960.

Box 4

February -- March, 1960.

April -- May, 1960.

June, 1960.

July, 1960 -- 1962.

1963 -- 1964.

1965.

January -- June, 1966.

Box 5

July -- December, 1966.

1967. Including a letter from Henry Fonda.

1968.

1969.

January -- July, 1970.

August -- December, 1970.

1971 -- 1972.

1973 -- 1993.

Undated.

Box 6

Asilomar -- conventions, 1966 - 1969.

Aspen Conference, 1973.

Censorship:

1967 -- 1976.
Clippings, speeches, etc.

Directors, 1958 -- 1960.

Donner, Stanley (University of Texas), 1966 -- 1970.

Expense accounts, 1960 -- 1965.

European trip, 1964 -- 1967.

Hallmark Hall of Fame, 1966 -- 1972.

Japan trip, 1967.

Box 7

Legal, 1960 -- 1970.

Lichty, Larry. Project, 1968 -- 1970.

National Committee of Independent Television Producers, 1973.

Screen Producers Guild, 1965 -- 1967.

Sheinberg, Sid, 1965 -- 1967.

Stanford Television seminar, 1965 -- 1967.

University of Nigeria project, 1970 -- 1971.

Wires (Western Union), 1958 -- 1960.

Writers, 1958 -- 1960.

Writers Guild of America, 1971 -- 1973.

Box 8

Personal Correspondence:

1957 -- 1964.
1965.
1966.
1967. Including a letter from Henry Fonda.
1968 -- 1970.
1971 -- 1973.
Harshbarger, Clay (U. of Iowa), 1958 -- 1964.

Box 8a

Personal correspondence (cont.):

Harshbarger, Clay (U. of Iowa):
1965 -- 1967.
1968 -- 1983.
1984 -- 1985.

University of Iowa, 1965 -- 1997 and undated.
Newspaper clippings, 1982 -- 1986.
Amnesty International vigil, 1989.

SERIES II. GENERAL INFORMATION

Box 9

Biographical.

Center for Media Literacy materials, includes photograph

Christmas lists:

1965.
1966.

Death Penalty Focus of California materials, includes photographs

News clippings, etc.

Early years, 1930 -- 1950.

Photographs.

Story ideas.

Box 10

Writer's credits, 1949 -- 1958. Includes correspondence.

Writers -- Features, 1955 -- 1960. Includes correspondence.

Director's credits, 1955 -- 1960. Includes correspondence.

Box 11

Actresses and actors.

Actresses and actors, character.

Film Directory credits, 1954 -- 1958.

Writers.

Writer assignments.

Box 12

Screen Producer's credits, 1950 -- 1960.

Ratings.

Films, shows, 1961 -- 1974.

Box 13

Shows and series:

1950 -- 1958.
1960's.

Writers.

Girl from U.N.C.L.E. and Jericho.

Felton's secretary's desk diary, 1969.

SERIES III. ARENA and FELTON PRODUCTIONS

Box 14

Ads, subscriptions, 1965 -- 1967.

American Women in Radio and Television Convention, 1968.

Bills and expenses, 1964 -- 1966.

Budget - check transmittals:

January -- August, 1966.
September, 1966 -- 1968.

Budget - financial, 1963 -- 1970.

Contract information, 1966 -- 1967.

Casting -- correspondence and photographs.

Correspondence:

1962 -- 1966.
1967 -- 1975.

Box 15

Correspondence (cont.):

Associated Television Corporation (England), 1970 -- 1972.
De Bono, Jerry, 1965 -- 1967.

Daily telephone messages:

January -- June, 1971.
July, 1971 -- 1972.

Film student intern project, 1968.

Box 16

Jaffe, Rona. Project, 1962.

Job applications, 1966 -1967.

Legal, 1969 -- 1971.

Logos.

London, Jack. Project, 1972.

Office equipment and supplies, 1967 -- 1968.

Petty cash, 1970 -- 1971.

Production costs, 1964.

Progress reports:

1966 -- 1969.
1970 -- 1974, 1982.

Projects:

1965 -- 1966.
1967 -- 1968.

Box 17

Public relations, 1966 -- 1970.

Publicity, 1967 -- 1974.

Quarterly retrospective, 1991.

Rolfe, Sam. Correspondence 1965 -- 1966 and contract dispute 1965 -- 1971.

Scipt submissions:

1964 -- March 1966.
April -- December 1966.
1967 -- 1968.
1969.
Universal Studios, 1969 -- 1970.
Unsolicited, 1966.

Story Material - Refused, 1967 -- 1968.

T.V. Guide. Correspondence, 1962 -- 1966.

Writers. Correspondence, 1960 -- 1968.

Box 18

Treasure Film -- Treasure Trove of the Century:

Background information, clippings, photographs.
Correspondence:
January -- June 1966.
July 1966 -- 1973.
Coin Sale, 1967 -- June 1969.
Coin Sale, July 1969 -- 1973.
Undated.
Superior Coin Company, 1968 -- 1972.

Dispute with Mahan. Clippings.
Magazines and Brochures:
National Geographic, Jan. 1965.
Coin magazines. (4)

Box 19

Treasure Film -- Treasure Trove of the Century (cont.):

Notebooks:
Production notes, 1969 -- 1971.
Shows.
Staff agreement, contracts, etc., 1958 -- 1964.
Shows, series-notes, production, etc. 1961 -- 1967.
National Committee of Independent TV Producers, 1973.
Production notes, English trip.

Box 20

The Man from U.N.C.L.E.:

Arena Productions, 1963 -- 1968.
Broadcast Standards:
1966.
1967.

Correspondence, 1966 -- 1967.
Budget:
1966 -- May, 1967.
June -- July, 1967.
August -- September, 1967.
October, 1967 -- 1968.

Character development.
Cycle (season) information.

Box 21

The Man from U.N.C.L.E. (cont.):

Correspondence:
1963 -- 1965.
1966 -- 1968. Including letters from Robert Vaughn and Joan Crawford.

Shows.:
(Individual U.N.C.L.E. Productions), 1964 --1967.
The Concrete Overcoat Affair, 1966.

Wilkerson, Martha (writer), 1965 -- 1967.

Box 22

The Man from U.N.C.L.E. (cont.):

Fan club (contains correspondence), 1970 -- 1975.
Fan mail:
1964 -- 1966.
1967 -- 1971.

Features, 1971.
Fleming, Ian. (contains correspondence)
Foreign distribution, 1964 -- 1966.
Legal, 1963 -- 1965.
Memorabilia. Cards, buttons, etc.
Merchandising:
Ads, photographs, etc.
Correspondence:
January, 1964 -- March, 1965.
April, 1965 -- September, 1965.
October -- December, 1965.

Music. Correspondence, 1963 -- 1967.

Box 23

The Man from U.N.C.L.E. (cont.):

Promotional, 1964 -- 1965.
Publicity:
Includes photographs.
Includes news clipping, magazine articles, etc.) (2 folders)

Shooting schedules:
June -- July, 1966.
August -- November, 1966.
December, 1966 -- 1967.

Solo script (awards, appearances, etc.), 1964 -- 1967.
Sponsors and ad agencies, 1964 -- 1965.
Story synopses and locations, 1964 -- 1966.

Box 24

The Man from U.N.C.L.E. (cont.):

Theatricals (movie spin-offs):
1964 -- 1967.
Nos. 1 -- 4.
Nos. 5 -- 8.

Thrush pate, 1965.
Writer's weekly progress reports, 1966 -- 1967.

Box 25

The Man from U.N.C.L.E. (cont.):

Solo pilot script:

Budget, 1963 -- 1964.
Casting and crew, 1963 -- 1965.
Correspondence, 1962 -- 1965.
Story lines (contains photographs).
Writers, 1962 -- 1965.

Box 26

The Man from U.N.C.L.E. (cont.):

Notebook. NBC The Man from U.N.C.L.E., publicity notebook. [1 copy missing as of Aug. 31, 1982 RAMcC]

Box 26a

The Man from U.N.C.L.E. (cont.):

Helicopter Spies. MGM campaign book.
Newspaper clippings, 1974 -- 1983 and undated.
Photographs.
Spy in the Green Hat. MGM campaign book.
U.N.C.L.E. Fan club mailers.
U.N.C.L.E. Monthly Operations Report, 1976 -- 1984. (3 folders)
The U.N.C.L.E. Special, April 1983.
Collecting The Man From U.N.C.L.E., 1984. Movie & Film Collector's World.
The U.N.C.L.E. Special, no.2.
The U.N.C.L.E. HQ Yearbook, 1977 -- 1985.
The Kuryakin File, 1985--.
Spycon One, 1983--.
The Return of The Man From U.N.C.L.E. Posters, advertisements, etc.

Box 26b

The Man from U.N.C.L.E. (cont.):

Buttons.
Datazine, April 1987.
Hollywood Studio Magazine, December 1986.
Javna, John. Cult TV. Book, 1985.
The McCallum Observer. Fanzine, vol. 1 -- 14, 1985 -- 1987.
Newspaper clippings, 1965 -- 1986.
Photographs.
Playbills, 1982 -- 1985. (Plays in which David McCallum appeared).
Spycon T-shirts.

Box 26c

The Man from U.N.C.L.E. (cont.):

Comic Book. The Man from U.N.C.L.E., November 1965.
HQ Newsletter (formerly U.N.C.L.E. - HQ) nos. 117-146.
---- nos. 147 -- 180
---- nos. 181 --
HQ Yearbook, 1987 -- 1988.
McCallum biography list, 1988.
The McCallum Observer, vol. 15 -- 35, 1988 -- 1991.
Photographs and film clips.
Promotional cutout of Robert Vaughn.
Scrapbook clippings:
David McCallum, 1964 -- 1986 and undated.
Robert Vaughn, 1965 -- 1986 and undated.

Spycon 3, 1985.
Trading cards, 1986 -- 1990 (David McCallum).

Box 26c2

The Man from U.N.C.L.E. (cont.):

The McCallum Observer:

Vols. 36 -- 44.
Vols. 45 -- 62.
Vols. 68 -- 74
Vol. 76 --
(The McCallum Observer was discontinued with the Spring 2004 edition. A web site is continuing [as of May 2004] - http://groups.yahoo.com/group/davidmccallumupdates/)

The McCallum Fact Reference Pamphlet

Box 26d

Avallone, Michael. The Girl from U.N.C.L.E.: The Birds of a Feather Affair and The Blazing Affair, 1966.

Gibson, Walter. The Man from U.N.C.L.E.: The Coin of El Diablo Affair, 1965.

Gilmore, Paulie. The Nowhere Man Affair, 1986.

The Girl from U.N.C.L.E. Magazine, Feb - June 1967.

Keith, Brandon. The Man from U.N.C.L.E.: The Affair of the Gentle Sabateur (1966) and The Affair of the Goldrunner's Gold (1967).

The Man from U.N.C.L.E. Ace Book Series:

The Man from U.N.C.L.E. by Michael Avallone, 1965.
The Doomsday Affair by Harry Whittington, 1965.
The Copenhagen Affair by John Oram, 1965.
The Dagger Affair by David McDaniel, 1965.
ABC of Espionage by John Hill, 1966.
The Mad Scientist Affair by John T. Phillifent, 1966
The Vampire Affair by David McDaniel, 1966.
The Radioactive Camel Affair by Peter Leslie, 1966.
The Monster Wheel Affair by David McDaniel, 1967.
The Diving Dames Affair by Peter Leslie, 1967.
The Assassination Affair by J. Hunter Holly, 1967. (3 folders)

Box 26e

The Man from U.N.C.L.E. Ace Book Series (cont.):

The Invisibility Affair by Thomas Stratton, 1967.
The Mind-Twisters Affair by Thomas Stratton, 1967.
The Rainbow Affair by David McDaniel, 1967.
The Cross of Gold Affair by Fredric Davies, 1968.
The Utopian Affair by David McDaniel, 1968.
The Splintered Sunglasses Affair by Peter Leslie, 1968.
The Hollow Crown Affair by David McDaniel, 1969.
The Unfair Fare Affair by Peter Leslie, 1968.
The Power Cube Affair by John T. Phillifent, 1968
The Corfu Affair by John T. Phillifent, 1967.
The Thinking Machine Affair by Joel Bernard, 1967.
The Stone-Cold Dead in the Market Affair by John Oran, 1966.
The Finger the Sky Affair by Peter Leslie, 1966. (4 folders)

The Man from U.N.C.L.E. Magazine:

May -- Sept. 1966.

Box 26f

The Man from U.N.C.L.E. Magazine (cont.):

Nov. 1966 -- Nov. 1967. (2 folders)

Wells, George. Three Bites of the Apple, 1967.

The McCallum Observer Fact/Reference Pamphlet, 1989 --1992.

Pencil. U.N.C.L.E. HQ - fan club, 1990.

The Complete Guide to the McCallum Observer, October 1985 -- October 1990.

The Network, 1990.

Box 27

BAFFLED!

Actor itinerary, accommodations, 1971.
Broadcast Standards, 1971.
Budget, 1970 -- 1972.
Casting, Photographs and correspondence, 1971.
Casting, Leonard Nimoy, 1971.
Character Development.
Correspondence:
1966 -- May, 1971.
June -- July, 1971.
August -- September, 1971.

Box 28

BAFFLED! (cont.):

Correspondence (cont.):
October -- December, 1971.
1972 -- 1973.

Carrington, Robert (writer), 1970.
Crew, 1971.
Daily continuity reports:
September, 1971.
October, 1971.

Daily progress reports, September - October, 1971.

Box 29

BAFFLED! (cont.):

Legal, 1971.
Locations (photos).
Music, 1971.
Notes. (2 folders)

Box 30

BAFFLED! (cont.):

Production.
Publicity (contains photographs).
Publicity. Press releases.
Racing car stock footage.
Revisions.
Rough drafts. (2 folders)
Story treatment.
Storylines.

Box 31

BAFFLED! (cont.):

Storylines. (4 folders)
Synopsis.
Titles and credits.
Wires, 1971.
Notebook -- advertising.
Writers, 1971.

Box 32

BAFFLED! (cont.):

Scripts:
Screenplay.
Script #1.
Script #2.
Script #3.
Six scripts. (6)

Box 33

STRANGE REPORT:

Advertising.
Background information.
Broadcast standards, 1964 -- 1969.
Budget, 1968 -- 1972.
Casting & crew (contains correspondence and photographs), 1968.
Correspondence:
January -- June, 1968.
July -- December, 1968.
1969 -- 1971.
Buzz Berger, 1968 -- 1969.

Box 34

STRANGE REPORT (cont.):

Fan mail, 1971.
Photographs.
Programming and production.
Publicity:
Correspondence, 1968 -- 1971.
Newspaper clippings.
News releases, etc.

Scripts:
Corset of Death, 1968.
Euthanasia, 1968.

Box 35

STRANGE REPORT (cont.):

Scripts:
Hand.
Rule Britannica, 1968.
A Woman, A Worm, and Five Drops of Water

Series notes.
Story outlines:
A - F.
G - Z.

Story synopsis.
Writers (correspondence), 1968.

Box 36

ELEVENTH HOUR:

Audience, psychiatrist's reactions, 1962 -- 1971.
Correspondence, 1962 -- 1963.
History, 1962 -- 1963.
Mental Health Conference, 1963.
Photographs.
Publicity -- promotional.
Unproduced scripts:
Correspondence:
1962 -- April, 1963.
May, 1963 -- 1964.

Box 37

ELEVENTH HOUR (cont.):

Unproduced scripts (cont.):
A.
B.
C.
D.
E - G.

Box 38

ELEVENTH HOUR (cont.):

Unproduced scripts (cont.):
H. (No. 1)
H. (No. 2)
I-K.
L.
M.
N-R.

Box 39

ELEVENTH HOUR (cont.):

Unproduced scripts (cont.):
S.
T.
U-Z.

Box 40

The Girl from U.N.C.L.E.:

Audience reaction, 1966.
Broadcast standards:
1965 -- August 1966.
September, 1966 -- 1967.
Correspondence, 1965 -- 1966.

Budget, 1966 -- 1967.

Box 41

The Girl from U.N.C.L.E. (cont.):

Correspondence:
1965 -- 1967.
Shows, 1965 -- 1966.
Casting, 1966.

Critiques, 1966.
Merchandising, 1966 -- 1967.
Photographs.
Presentation and Storylines.
Publicity, 1966.

Box 42

Jericho:

Air dates, 1966.
Billings.
Budget. (Includes correspondece), 1965 -- 1966.
Cast. (Includes photographs and correspondence), 1965 -- 1966.
Correspondence, 1965 -- 1966.

Box 43

Jericho (cont.):

Correspondence, 1965 -- 1966. NBC.
Fan mail, 1966 -- 1967.
Legal materials.
Photographs.
Pilot outlines. (Includes correspondence) 1965.
Promotional. (2 folders)
Script.
Script. Revised:
#1.
#2.

Storylines. Correspondence, 1966.
Viewer reaction.
Writer. Correspondence, etc., 1965 -- 1966.

Box 44

Hawkins:

Budget, 1972 -- 1974.
Casting and staff, 1972.
Correspondence, 1972 -- 1974, including a letter from James Stewart.
Legal (includes photographs).
Script:
Candidate for Murder, 1974.
Hawkins on Murder, 1974.

Script notes.
Shooting schedules, 1973.
Story notes.

Box 45

Dr. Kildare:

Audience reaction.
Comic books and fan club.
Correspondence, 1961 -- 1964. Telegrams with best wishes at beginning of first season; Research Department time-period test for Dr. Kildare; inter-office memo on budget; MGM-TV statement of Participation with Arena Productions, Inc. for Dr. Kildare series, 1961-1962 season; cumulative to March 17, 1966--includes figures for Music Royalties; December 24, 1964 synopsis of viewers' reaction to the season so far; architectural drawing of the hospital set; typed synopsis of Dr. Kildare by E. Jack Neuman.
Photographs.
Publicity. Includes numerous newspaper clippings, press releases, and Chamberlain and Massey biogs. Most clippings are about Chamberlain.
Notebook -- A letter regarding profits and Arena Productions, Inc.; the notebook has typed pages at the beginning containing writers' assignments, including title, writers, and production number. Following is one page for each writer, including production number, agent; assigned date, when received, NBC approval to pay or not--all of these apply to Outline, Revised Outline, First draft, Revised Draft, Second Draft.

Box 46

The Psychiatrist:

Budget, 1969 -- 1970.
Correspondence, 1967 -- 1971.
Photographs.
Publicity.
Remy (outline).
Storylines.

Box 47

These Are My Children (First regular T.V. soap opera, 1949):

Episodes:
9.
13 -- 26. (14 folders)

Box 48

Weekly Productions:

Critics Theatre, 1960.
G.E. Theatre. Includes correspondence, 1958 -- 1959.
Playhouse 90. Includes correspondence, 1959 -- 1960.
Play of the Week.
Project 60, (publicity binder).
Twilight Zone. Correspondence, 1959 -- 1960.

Box 49

Lucky Strike Theatre:

Correspondence, 1950 -- 1955.
Robert Montgomery (clippings), 1951 -- 1955.
Scripts:
Cashel Byron's Profession, 1951.
Our Town, 1950.
Storm.
Three O'Clock, 1951.

Box 50

Studio One:

Scripts:
Another Name for Oscar, 1958.
Chicken, 1958.
Dark Intruder, 1957.
The Deaf Heart, 1957.
Edge of Truth, 1958.
Enemy Within, 1958.
Guitar, 1957.
My Mother and How She Undid Me, 1957.
The Staring Match, 1957.
Tongues of Angels, 1958.
Walk Down the Hall, 1957 -- 1958.

Photograph.
Program promotion material.

Box 51

The Lieutenant.

Radio scripts:

Malice Towards None, 1948.
Houses and Homes, by Norman Felton, (while at the University of Iowa), 1937.
Angel Face, by Norman Felton.

Box 52

Audience reactions.

Ratings:

1966.
1967 -- 1973.

Box 53

Television scripts, pilots, etc.:

Affair of Honor, by Bill Hoffman, 1955 -- 1956.
All You Need, by Merle Kessler (U of Iowa student), 1974.
...And 90 Cents Carfare, by Artie Julian, 1969.
The Associates, by Herman Miller, 1969.
Away From It All, 1974.

Box 54