{"id":7127,"date":"2012-12-14T12:45:54","date_gmt":"2012-12-14T12:45:54","guid":{"rendered":"http:\/\/www.lib.uiowa.edu\/sc\/gbw\/videotapes\/"},"modified":"2022-10-12T15:30:53","modified_gmt":"2022-10-12T20:30:53","slug":"videotapes","status":"publish","type":"page","link":"https:\/\/www.lib.uiowa.edu\/sc\/gbw\/videotapes\/","title":{"rendered":"The Guild of Book Workers Library – Videotapes and DVDs"},"content":{"rendered":"

\"GBW<\/p>\n

The Guild of Book Workers Library<\/strong> is housed in the Special Collections Department <\/a>of the University of Iowa’s Main Library and holds over 700 volumes which focus on the arts of the book, particularly hand bookbinding techniques, but also contains volumes on the history of bookbinding and bookbinders, papermaking, paper decoration techniques, calligraphy, printing, and book conservation. By trading newsletters and journals produced by the Guild, the Library also receives current periodicals on binding from similar organizations in England, France, Spain, the Netherlands, and Australia. Videotapes and DVDs which document the annual Guild Standards Seminars are another important component of the collection, now the most frequently borrowed items because they demonstrate techniques that cannot be adequately described in print sources.<\/p>\n

The holdings for each of these major parts of the Library are listed on their own page: monographs and individual print titles<\/strong><\/a>; serials in substantial runs<\/strong><\/a>; and CDs, videotapes and DVDs<\/strong><\/a>.<\/p>\n

This page is a list of the DVD\/videotapes<\/strong>. Tapes created during Standards Seminars are listed first, by year of Seminar; a list of purchased videos and DVDs follows.<\/p>\n

For further information about the Guild Library, please see the introduction to this site<\/a> or contact:<\/p>\n

\n
\n

Ann Frellsen, Collections Conservator & Guild Librarian
\nEmory University Libraries
\n540 Asbury Circle
\nAtlanta, GA\u00a0 30322
\n404-727-0307
\nann.frellsen@emory.edu<\/a><\/p><\/blockquote>\n<\/blockquote>\n<\/blockquote>\n

Holdings in electronic formats: CD, Videotape, DVD:<\/p>\n

GBW STANDARDS SEMINARS <\/strong>
\nNote: ***One tape\/DVD per title (not location); e.g., 4 tapes\/DVDs were produced in 2009 (San Francisco)<\/p>\n

2009, SAN FRANCISCO:<\/strong>
\nMethods of Approach, Carolee Campbell.\u00a0 Slides and demonstration of the methods of approach that lead to the creation of an edition, from how concepts take shape to use of jigs and models, and simple methods used to add color and texture to both boards and text sheets.\u00a0 Campbell is the proprietor of Ninja Press, editions of which are held nationally and internationally. All Ninja Press books are designed, printed letterpress and hand bound in limited editions by Campbell.<\/p>\n

Tool Repair, Tom Conroy. \u00a0Examines the repair of small tools and benchtop equipment, showing many useful techniques for maintaining tools as well as discussion about their repair. Conroy is a book restorer, binding historian, toolmaker and fine binder. He is affiliated with the Museum of the American Bookbinder in San Francisco.<\/p>\n

Dyeing Japanese Paper with Natural Dyes, Tatiana Ginsberg.\u00a0 The steps involved in extracting and applying natural dyes and pigments to handmade paper, to achieve a rainbow of colors. Ginsburg spent two years in Japan on a Fulbright grant learning traditional methods of dyeing Japanese paper.<\/p>\n

The Art and Science of Cloth Rebacking – Some Useful Techniques Shared, Dominc Riley. The restoration of Victorian cloth bindings using techniques that ensure an invisible repair yet maintain the structural integrity of the original binding, including cover repair with paper and cloth, and rebacking with cotton. Riley is a bookbinder, teacher and occasional filmmaker. He is a Fellow of the Designer Bookbinders.<\/p>\n

2008, TORONTO, ONTARIO:<\/strong>
\nContemporary Applications of Wheat Paste on Cloth, Martha Cole. Custom designed cloths using contemporary applications of wheat paste by integrating colored pencils, paints and ink & oil & chalk pastels as well as acrylic mediums. Examples also include stenciling, stamping and collage. Cole is a fabric artist who creates one-of-a-kind artist\u2019s books and limited editions.<\/p>\n

Sixty Sewing Structures, Betsy Palmer Eldridge. A compendium of sewing techniques from different bookbinding traditions, evaluated for their particular strengths and weaknesses and their suitability for various applications. Eldridge studied Book Arts at Wellesley College, in\u00a0 Germany, France, and with Carolyn Horton in New York.<\/p>\n

Alum Tawed Bindings, Don Etherington. Full alum tawed binding reveals specific and interesting differences when compared to other structures. Etherington apprenticed in bookbinding in England before studying at the London School of Printing; since the 1960\u2019s, has developed conservation programs, taught, and established the HF Group, LLC.<\/p>\n

In Love with Paper, Claire Van Vliet. Several versions of the paper strip bindings developed for recent Janus Press books.Van Vliet is the proprietor of the Janus Press.<\/p>\n

Finishing Tools, Michael Wilcox. Explains how Wilcox makes finishing tools and blocks by hand and incorporates them into his creative work. Wilcox apprenticed in bookbinding in England and studied at Bristol College and West of England college of Art. He creates design bindings in Ontario.<\/p>\n

2007, DALLAS: <\/strong>
\nGold Leaf Tooling on Leather, Stuart Brockman. Methods and skills for gold leaf tooling of labels on goatskin, use of line fillets and patterned rolls on boards and board edges, lettering a convex spine and use of pallets and center tools. Brockman trained with his father James in the UK; has led workshops and lectured in the UK, Canada, Finland, and the USA.<\/p>\n

Plain-Jane Restoration – Making Books Functional, Catherine Burkhard. Basic, cost-effective, yet quality restoration techniques for books with personal value. Burkhard is a bookbinder and calligrapher and has been an instructor in both fields. Owns Books’n Let\u00adters Studio in Dallas.<\/p>\n

Original Binding Structures and Decorations, Roberta Lavadour. Focus on original binding structures and book decoration inspired by the cowboy and Native American heritage of Eastern Oregon. Lavadour publishes her artist’s .books at the Mission Creek Press.<\/p>\n

Practical Strategies for Editions, Kitty Maryatt. Designing a student letterpress edition of 100 copies demonstrates a variety of traditional and non-traditional materials and use of jigs for repetitive tasks. Maryatt directs the Scripps College Press and owns Two Hands Press in Playa Vista, CA.<\/p>\n

Creating Medieval Stationer’s Binding Structures: Lacing Patterns, Tacketing Methods, and Leather Making, Chela Metzger. Stationers\u2019 bindings with visible lacing and ticketing; closures with loops, ties or buttons; history and conservation of blank books. Metzger teach\u00ades book history and conservation at the University of Texas at Austin.<\/p>\n

Design Principles and the Book, Keith Owens. Foundational design and color prin\u00adciples and their use in innovative book design. Visuals illustrate the application of these principles in book design. Owens is assistant professor of communication design at the University of North Texas School of Visual Arts and teaches at Texas Tech. He designs custom books, albums and boxes; Education chair of AIGA Dallas-Ft. Worth chapter.<\/p>\n

Behind the Design, Priscilla Spitler. Designer binding process of overall cover design, from concept to thumbnail sketch to laying out a final blueprint for leather onlay. Spitler studied printmaking at CA College of Arts and Crafts, bookbinding at London College of Printing and design binding at University of Texas. An edition binder, owns Hands On Bookbinding, Truth or Consequences, NM.<\/p>\n

2006, Centennial Conference NEW YORK: <\/strong>
\nBoxed set of 8 DVDs.<\/p>\n

2005, PORTLAND:<\/strong>
\nWunderkabinette: Architectural Book Environments. Hedi Kyle
\nEdelpappband. Renate Mesmer
\nLacunose (An Artistic Invention). Paul Delrue
\nDrum Leaf Binding. Timothy Ely
\nTraditional Marbling on Paper, Cloth and Leather. Peggy Skycraft
\nLetterpress Printing (Foundations Session). Inge Bruggeman<\/p>\n

2004, PROVIDENCE:<\/strong>
\nHalf-leather Trade Binding. Mark Andersson
\nEdge Decoration Techniques. Peter Geraty
\nJapanese Pouch\/Four Hole Binding. Kiyoshi Imai.
\nMedieval Limp Vellum\/Leather Structure Conservation of Historic Bindings Using Adhesive and Non-adhesive Methods. Nancy Southworth.
\nPhotographing Your Artwork. P. J. Saine<\/p>\n

2003, DENVER:<\/strong>
\nSpring Back Ledger Binding. Richard Baker
\nIncorporating 3-Dimensional Objects Into Cover Design. Tini Miura
\nCovering in Leather. Mark Esser
\nPresentation Considerations in the Design and Creation of Artists’ Books. Julie Chen<\/p>\n

2002, MINNEAPOLIS:<\/strong>
\nSlipcase and Chemise. Monique Lallier
\nIllumination. Dennis Ruud
\nPapermaking: Before and After: Pulp, Paper and Beyond. Bridget O’Malley
\nHistorical and Contemporary Album Structure. Olivia Priminas<\/p>\n

2001, ALEXANDRIA:<\/strong>
\nRomanesque Bindings. Jiri Vnoucek
\nTraditional Foundations Of Non-Traditional Artwork. Suzanne Moore
\nVellum Binding. Peter Verheyen
\nPaper Repair. Christine Smith
\nLeather Decoration. S.A. Neff, Jr.<\/p>\n

2000, SALT LAKE CITY:<\/strong>
\nMedieval Bookbinding. Terry Buckley
\nExamination of the Jacques Board Shear. William Minter
\nAdhesives. Karen Zukor
\nGirdle Bindings. Pamela Spitzmueller
\nMiniature Binding. Gabrielle Fox<\/p>\n

1999, CHICAGO:<\/strong>
\nAction on the Case. Maureen Duke
\nRounded Leather Drop-spine Boxes. Scott Kellar
\nWire-Edge Binding. Daniel Kelm
\nKnow Your Endpapers. Terry Boone, Jesse Munn, and Mary Wootton<\/p>\n

1998, GREENSBORO: <\/strong>
\nOn the Ellesmere Manuscript. Anthony Cains
\nPaper Engineering and Pop-Ups. Carol Barton
\nDecorated Papers. Linda Hohneke
\nEnglish & German Style Leather Paring. Linda Blaser and Franklin Mowery<\/p>\n

1997, ANN ARBOR:<\/strong>
\nLong and Link Stitch Sewing. Pamela Spitzmueller
\nHow to Treat Wooden Boards. Dag-Ernst Petersen
\nGold Tooling. Don Glaister
\nJapanese Papers: Identifying and Using. Nancy Jacobi and Don Etherington<\/p>\n

1996, PASADENA:<\/strong>
\nCuir Cisele or Leather Schnitt. Jan Sabota
\nOpening up Photo Album Possiblities. Richard Horton
\nExposed Spine Binding. Louise Genest
\nDying and Staining Leather. Terry Buckley<\/p>\n

1995, TUSCALOOSA:<\/strong>
\nRx for Sick Books from NYAM. Elaine Schlefer
\nEdge Gilding. John Mitchell
\nDanish Millimeter Binding. John Hyltoft
\nContemporary Edition Binding. Mindell Dubansky and Priscilla Spitler<\/p>\n

1994, DALLAS:<\/strong>
\nTechniques of Vellum Repair. Frank Mowery
\nBoard Edges Redefined. Eleanor Ramsey
\nModified Limp Vellum Bindings. Robert Espinoza
\nFrom the Leather Book to the Extra Terestrial Book. Timothy Ely<\/p>\n

1993, BOSTON: <\/strong>
\nSewing Variations. Betsy Eldridge
\nSimplified Binding Structure. Sun Evrard
\nPastepaper – Traditional & Contemporary
\nUsing the Hot Stamping Press. William Minter<\/p>\n

1992, SAN FRANCISCO:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nBox Making. Daniel Kelm
\nRebacking a Leather Tight-Back. Bernard Middleton
\nThe Making of a Book – Bone Songs. Clair Van Vliet
\nBox and Sculptural Bindings. Jan Sobota<\/p>\n

1991, BLOOMINGTON, IN:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nConservation Treatments. Don Etherington
\nCase Binding. David Bourbeau
\nDesign Bindings. Don Glaister
\nSpecial Enclosures. Hedi Kyle<\/p>\n

1990, WASHINGTON, DC:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nEdge to Edge Doublures. Monique Lallier
\nFrench Onlays. Tini Miura
\nTechniques and Logic in German Bookbinding. Frank Mowery<\/p>\n

1989, PORTLAND:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nSuminagashi. Don Guyot
\nPaper Repair for Bookbinders. Betsy Palmer Eldridge<\/p>\n

1988, CHICAGO:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nSewing Through the Fold. Pamela Spitzmueller
\nGougless Onlays. Sylvia Rennie
\nJapanese Side-sewn Bindings. Catherine Atwood
\nLetterspacing. Kay Amert<\/p>\n

1987, AUSTIN:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nEndbands. Jenny Hille
\nRebacking Leather Bound Books. Bruce Levy
\nTools and Techniques of Paper Repair. Barbara Meierhusby
\nCollaboration Between Binder and Printer. Craig Jensen & Richard-Gabriel Rummonds<\/p>\n

1986, IOWA CITY:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nDoublures, Endpapers and Leather Hinges. William Anthony
\nTurkish Marbling. Paula Gourley<\/p>\n

1985, PHILADELPHIA:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nTool Sharpening. David Brock
\nRebacking Cloth Bindings. Jerilyn Davis
\nExpanded Piano Hinge Album. Hedi Kyle
\nCovering Fine Bindings in Full Leather. William Anthony<\/p>\n

1985, SAN FRANCISCO:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nHalf Vellum Over Stiff Boards. Silvia Rennie
\nPaper Cover, Case Construction, Conservation Rebinding. Gary Frost
\nGold Tooling: Gerard Charriere and Michael Wilcox<\/p>\n

1984, PITSBURGH:<\/strong> These DVDs\/tapes can be borrowed by GBW members BUT THEY ARE NOT FOR SALE
\nParing of Leather Covers, and Board Preparation. Don Etherington
\nGold Tooling Using Gold Leaf. Michael Wilcox & Don Glaister
\nEdge Gilding and Gauffering. Hugo Peller
\nCovering Techniques Using Vellum Over Stiff Boards. Heinke Pensky-Adam<\/p>\n

1983, BOSTON:<\/strong> No tapes produced<\/p>\n

1982, WASHINGTON, DC: <\/strong>No tapes produced<\/p>\n

NON-SEMINAR TAPES & DVDs ACQUIRED FOR THE GUILD LIBRARY: <\/strong><\/p>\n

Bridwell Library Geoffrey Chaucer, the works now newly imprinted, Kelmscott Press, London 1896. 2 CD set produced buy Octavo, Inc.. Shelf #1245.<\/p>\n

Book Boys. San Francisco Public Library, 1995-1996. v. 1-2 (2) VHS tapes.<\/p>\n

Susan Kapuscinski Gaylord, The Spirit Book Series<\/em>. 2008. DVD.<\/p>\n

Johanna Drucker,\u00a0 Extensions of the Codex: Virtual, Electronics, and Esthetic Dimensions<\/em>. HISTORY OF THE BOOK,\u00a0 April 25, 2003. Syracuse. VCR.<\/p>\n

The Anatomy of a Book, Part I: Format in the Hand-Press Period<\/em>, Terry Belanger, 1991.\u00a0 The Making of a Renaissance Book<\/em>, Plantin-Moretus Museum Antwerp, 1969. Book Arts Press. DVD.<\/p>\n

Eberhardt<\/em>.\u00a0 A video about bookbinder and teacher Fritz Eberhardt.<\/p>\n

MARCHETTI – NY Edge Gilding, Shop Tour and Demonstration; Tools and Techniques of Japanese Paper Conservation<\/em><\/p>\n

Susan Joy Share Performances<\/em>. 2006. DVD.<\/p>\n

Bookbinding at the Harcourt Bindery<\/em>. 2006, Samuel B Ellenport. DVD.<\/p>\n

Nineteenth-Century Bookbinding Techniques at the Harcourt Bindery<\/em>. 2007, Samuel B Ellenport. DVD.<\/p>\n

BINDER VISION PROGRAMS<\/strong>.
\nProgram 1 – Elizabeth Greenhill: Bookbinder Talks to Marianne Tidcombe. With Comments on Her Work in His Collection from the Lord Wardington
\nProgram 2 – Rebacking an Antiquarian Book with Bernard Middleton: A binders’ Exhibition with Jan Ascoli: A Visit to Cockerell Marbled Papers
\nProgram 3 – Angela James: Sewing on Tape and Cords; Maurice Parkinson: The “Master Pulp” Leaf Casting
\nProgram 4 – Edgar Mansfield and James Brockman Talk to Rodney Crouch; Making Books with Concave Spines<\/p>\n

HOME STUDY PROGRAMS FROM THE CANADIAN BOOKBINDERS AND BOOK ARTISTS GUILD<\/strong>. Supporting workbooks and materials with each program.
\nProgram 1 – Setting up shop, tools and materials, framing, sewing, making the case, hanging in the text block. 3 DVD\u2019s (or 6 VHS tapes on request).
\nProgram 2 – Making paper cloth, rounding and backing, trimming and edge treatments, headbands, spine lining, German case, and special endpapers section. 6 VHS tapes. 3 DVDs (or 6 VHS tapes on request). .
\nProgram 3 – Joint construction, sewing variations, more rounding and backing, hanging on boards, leather spine and corners, finishing, and special leather section. 3 DVD\u2019s (or 6 VHS tapes on request). .
\nProgram 4 – Restoration and Repair. 5 DVDs (or 5 VHS tapes on request).
\nProgram 5 – Finishing. 3 DVDs<\/p>\n","protected":false},"excerpt":{"rendered":"

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