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  1. UI Libraries home
  2. Main Library Gallery

Pull of Horses virtual exhibit

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Outside the Main Library Gallery, the front window presented a preview of the exhibition. Printed cobblestone lined the bottom of the window case, and vintage draft horse shoes and a horse collar gave the illusion that an invisible horse was present.

Welcome!

Begin your journey through the exhibition here.

This photo shows several wall panels, for which the text is included in this post. There is an introduction, a section about Native Americans and horses, and a section with a 1899 map of downtown Iowa City.

An Introduction

This section of the exhibition features an introductory panel from the curators, as well as some horse-related history from the area’s Native American tribes. Additionally, Sanborn Fire Insurance Maps from 1899 are marked to show businesses related to horses in downtown Iowa City from that time.

The case contains three reproduction photographs on the bottom surface. In one, the Old Capitol is seen in the background with a boot shop in the foreground. In another, the Old Cap grounds are turned into fairgrounds. In the final photo, a parade.

Iowa City Life: Scenes from Town

A selection of images courtesy of the State Historical Society of Iowa – Iowa City reveals glimpses of life in downtown Iowa City in the 19th century.

This case includes a photo of an ice wagon pulled by horses, plus the text available in this section of the site. Five original photos stand at the bottom of the case and show Iowa Citians with their horses and wagons.

Iowa City Life: Horses and the Local Economy

This collection of original photographs is part of the Graham Family Papers collection in the Iowa Women’s Archives. It is accompanied by a reproduction of an image from the Cedar Falls Historical Society. These items help us gain a brief understanding of how horses participated in the local economy.

A 19th century diary with beautiful handwritten script is open at the bottom of the display case. Two antique horse mouth bits lie in front of the diary, and to the right is an antique leather horse noseband.

Iowa City Life: Town and Country

The diaries of Iowa Byington Reed are a treasure trove of information about what life was like for a settled, Anglo-European farm- and business-owning family in the Iowa City area in the late 19th and early 20th centuries. Reed also documents routine interactions with the farm animals, including many horses.

In the case is a 19th century handwritten diary by Robert Byington. The case also includes a photo of a travelling salesman with horse and buggy, and a photo of a young boy with a toy horse.

Iowa City Life: Farm and Business

The diary of Iowa Byington Reed’s brother, Robert Byington, gives the reader a look into his daily life. This includes how horses influenced his day-to-day activities.

At the bottom of the case is a typed story about Snowball and highball, as well as a few photos including the horses with firefighters circa the 1920s.

Celebrity Fire Horses: Snowball and Highball

In the early part of the 20th century, Iowa City’s Fire Department had its own celebrity fire horse duo: Snowball and Highball. They were housed at the Alert Hose Company No. 2 until their retirement in 1925.

Several panels with images and text are mounted to the gallery wall. This section focuses on horse breeding in Iowa, and panel text and information about the photos is listed in the body of this page.

Iowa Leads Draft Horse Production

Between 1870 and 1945, the state of Iowa, with its favorable climate and available grass, hay, and grain, became a leading producer of heavy draft horses for farming and urban labor.

The case includes a scrapbook, which has photos and newspaper article cut-outs about Magdalena Tylee, an immigrant to Iowa.

She’s a Soldier, Too: Magdalena “Helen” Tylee

Whiles her husband was stationed in Texas and Florida during World War II, Helen ably ran the family farm, like many women left at home who proved they could do traditional men’s work, including handling draft horses. 

The case contains two books about registering and caring for stallions in Iowa. The covers of these books are plain with only wording.

Stallion Registration

Because so much depended on horse power, the state had a vested interest in controlling the quality of animals for breeding—hence the legal requirement that each stallion offered for service had to be registered in a studbook recognized by the secretary of the State Board of Agriculture.

This case contains one book. It is open to a colorful illustration of a man with two horses and to the title page.

Phil Stong’s ‘Horses and Americans’

A skilled journalist as well as a fiction writer, Iowan Phil Stong wrote ‘Horses and Americans’ (1939), about the role equines have played in American identity.

The case contains several photographs in a row. Each depicts rural life with horses or industrial life with horses.

Farming and Industry

Horses were critical to the success of Iowa’s farms and local industry.

The case contains several photographs in a row. Each depicts rural life with horses or industrial life with horses.

More Farming and Industry

Horses were critical to the success of Iowa’s farms and local industry.

The case contains several photographs in a row. Each shows horses and carriages in parades, or horses working on campus to move materials for UI.

Campus and Parades

Horses were present when the University of Iowa was being built, and assisted with moving building materials and with the construction itself. Some of the photos on display in the exhibition feature these activities in the late 19th century and early 20th century. In addition, horses also played an important role in parades. They provided a mode of transportation, but they were also stately and impressive.

The case contains several photographs in a row. Each shows horses and carriages in parades in Iowa.

More Campus and Parades

Horses were present when the University of Iowa was being built, and assisted with moving building materials and with the construction itself. In addition, horses also played an important role in parades.

The photo is a panoramic view of the Main Library Gallery. It shows the locations of all cases, which are at the perimeter of the room and some placed in the middle of the gallery. A very large 16x9 screen is suspended from the ceiling and shows a film.

Film: ‘The Pull of Horses in Urban American Performance, 1860-1920’

‘The Pull of Horses on Local and National Histories and Identities’ exhibition featured a 16 x 9 foot screen at the center of the gallery. This screen displayed an original documentary by Dr. Kim Marra and Mark Anderson.

A large, square case in the gallery holds a variety of objects. Photographs and a test related to horseback riding from UI's Women's Athletics Department in the 1950s, bits, stirrups, an autograph book, and a paperback standing vertically.

Women’s Athletics at the UI and Beyond

Historically, the University of Iowa offered horseback riding as part of its Women’s Athletics program.

A large, square case in the gallery holds a variety of objects. Photographs and a test related to horseback riding from UI's Women's Athletics Department in the 1950s, bits, stirrups, an autograph book, and a paperback standing vertically.

More Women’s Athletics at the UI and Beyond

Additional photos from the University of Iowa Physical Education for Women Collection and more in the Iowa Women’s Archives.

This case has several small items displayed together. Assorted buttons, ribbons for pinning to clothing, a rusty horseshoe, and a flat paper convention program from 1919 are on display.

Women’s Suffrage: Power on Parade

More than transportation, horses also provided iconic stature and presence in visual displays and parades that advanced the cause of Women’s Suffrage. Traditionally, horses had been chiefly the instruments of men for military and civilian power and sport.

The case contains two mini

Women’s Suffrage: Equine Transport

Given the historical timing of the Women’s Suffrage Movement during the peak decades of horse power and the need for mobility to marshal the campaign, equines were instrumental in the effort at local, state, and national levels.

A matted flyer lies at the base of a square case, with a green ribbon and horse bit to the left. The back of the case features an image of a suffrage parade from Boone, Iowa.

Women’s Suffrage: Iowa Women Speak Out

Green AYP Woman Suffrage Day 1909 ribbon
Iowa Suffrage Memorial Commission Records, Iowa Women’s Archives

Horse bit
Marra Collection

“Woman Suffrage Co-Equal With Man Suffrage”
Iowa Suffrage Memorial Commission Records, Iowa Women’s Archives

A series of printed panels attached to a white gallery wall show reproduction photographs from the Library of Congress. These images primarily consist of women with their horses in suffrage parades circa 1913. Each image is accompanied by text.

Horses and Women March for Suffrage

This series of small panels depicts women with their horses as they worked toward suffrage.

A series of printed panels attached to a white gallery wall show reproduction photographs from the Library of Congress. These images primarily consist of women with their horses in suffrage parades circa 1913. Each image is accompanied by text.

Horses and Women March for Suffrage, Part II

These panels continue sharing photographs of women and their horses participating in suffrage activities.

A wider view of part of the Main Library Gallery shows an 8 foot tall poster of a woman in white on horseback, and gives a broad view of additional gallery cases containing artifacts.

Iron Jawed Angel

Inez Milholland Boissevain (1886-1916) became the iconic Iron Jawed Angel on Horseback.

Behind glass sits a Harper's Weekly cover featuring a woman preparing to compete on horseback, an illustration of Victorian women as centaurs, an antique oval horse brush, and small iron pony hoes. A book also shows a diagram for sitting sidesaddle.

Women’s Riding c. 1900: Sitting Sidesaddle

Designed to prevent women from spreading their legs over the horse, sidesaddle supposedly preserved female chastity.

In the case is a magazine cover of a well-dressed Victorian woman jumping her horse in competition,  a magazine cover of a woman on horseback surrounded by admirers, salt and pepper shakers, riding crop, a green book, and a very small newspaper ad.

Women’s Riding c. 1900: Horse Show Week in New York City

The 1883 founding of the annual National Horse Show, which ran for a week in October-November at Madison Square Garden in New York City, inaugurated the nation’s most prestigious venue for competitive equestrian display.

At the top of the case, an illustration shows a very busy Central Park with dozens of people in horse-drawn carriages. At the bottom of the case, an illustration shows girls learning to ride horses; another shows a man and woman courting on horseback.

Women’s Riding c. 1900: Central Park

The opening and expansion of Central Park from 1859 to 1876 prompted major growth in the use of horses in Manhattan for leisure activities as well as power and transportation.

This case is busy with objects. At the forefront is a set of leather straps, or breastplate for horses. A brown book sits right, next to n antique sidesaddle stirrup. A photo reproduction and two illustrated journals show women riding horses socially.

Women’s Riding c. 1900: Fundamental Unpredictability

The horsepowered economy thrived because of horses’ general trainability and obedience to human exploitation of their enormous strength and athleticism, but equines remained fundamentally unpredictable.

A black and gold horse blanket sits at the base of the case, and over the top are laid a whip and decorative ladle. An illustration of a woman in riding attire posing with dogs is at right, and at left an illustration of women riding on Riverside Drive.

Women’s Riding c. 1900: “The Delights of Life”

“. . . it is of all the exercises the one best adapted to keep them in condition, to restore the glow of health, and to key up the whole system to respond to all the delights of life.”

An 8 foot reproduction photograph of an African American cavalry officer flanks the right side of a series of artifact cases.

African American Cavalryman

This photograph is of an unidentified African American soldier in uniform with a holstered handgun riding a horse, 1917-18.

A panel shows a portrait of four African American military officers, one African American soldier on horseback, and describes the African American cavalry during World War I. Panel text is available below it.

African American Cavalry in World War I

Built in 1901 and dedicated as a cavalry post in 1909, Fort Des Moines became the designated federal training camp for Black officers beginning in May 1917 after the U.S. entered the war, and the NAACP lobbied for more Black men to be able to lead their compatriots in battle.

A model horse made of wood wears a harness and blinders while hitched to a two wheel cart. This is free-standing in the gallery.

Big Fred: A Life-Sized Demonstration

Constructed by the curators in the proportions of a tall light driving horse (16.2 hands) to wear the harness and bring a three-dimensional equine presence to the gallery.

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URL of this page: https://www.lib.uiowa.edu/gallery/pull-of-horses-virtual/ – Print date: 15 May 2025
©2025 The University of Iowa. Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution 4.0 International license. See https://www.lib.uiowa.edu/web/reuse/ for more.