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MJ Franklin of The New York Times Book Review recommends books based on your mood.

The team does New Year’s Eve.

The major studios and their A-list stars are AWOL this season for a variety of reasons, forcing the festivals to scramble.

Plots involving some kind of artificial intelligence are even part of soap operas. Here’s how they’ve evolved over the decades.

Once dismissed as exercises in dainty femininity, the handiwork of schoolgirls is now celebrated for anticipating the art of the Hudson River School and beyond.

Twenty-five years after 9/11 caused the cancellation of a Bill T. Jones group performance, he debuts a work in response.

Suno has drawn copyright lawsuits from the majors. Now it is releasing a version of its A.I. music generator trained in partnership with Warner Music.

Her new album, “Good Grief,” mourns friends including her Broadway co-star Gavin Creel, and her musical adaptation of the Meg Wolitzer novel “The Interestings” is about finding a different kind of fulfillment in a creative life than you’d once imagined, which Bareilles knows something about.

This season is rich with sharp productions, like Bess Wohl’s and Branden Jacobs-Jenkins’s Pulitzer winners, Cole Escola’s “Oh, Mary!” and the hip-hop musical “Mexodus.”

On New York stages this season come the new musicals “Galileo” and “Wanted,” a “Shuffle Along” reunion with Audra McDonald, and Tom Hiddleston in “Much Ado About Nothing.”